I am a designer who loves to paint. What motivates me is making sense of colors and shapes, leading the eye across the page to rest on an important element. Analyzing why choices were made, and sometimes not - just accepting a serendipitous brush stroke or color mix. My purpose is to express myself in color and shapes, and to garner a response from the viewer.
Sometimes I paint because I want to make an image, or design something beautiful for it's color, lines and flow. It's a sheer exercise of power over my sense of composition and the medium(s) I use. There's a deep satisfaction in being skillful and bringing forth something that people look at and relate too, just because they find it beautiful for itself.
Sometimes I paint to illustrate an event that has affected me deeply: a loved one's heart attack and surgery, my grandfather's dementia and distant personality. These end up being my favorite pieces because they are emotionally driven and close to my heart. The viewer may see my message, share my emotion, or take away their own, but there will have been a connection made, feelings touched upon.
As subject matter, I choose most frequently to paint people. Faces in particular. There's so much to work with from the perspective that people can be enigmatic, fascinating and ever changing. The recurring design style of having two distinct sides of the faces is my way of saying that everyone, always, has one side they show to others, and one side they hide, no matter what the circumstance.
Headshot by Catherine Conroy